HAVANA, June 19 Since late May, art collectors and dealers from all over the globe have been flocking to Havana for the month-long exhibition called the Biennial.
Virtually every inch of outdoor space in Havana has been converted into a gigantic gallery where artists from about 40 countries are exhibiting.
Since it’s the first Biennial launched after the Obama administration’s December announcement of a diplomatic thaw between the United States and Cuba, the event is also being closely watched by many people outside the art world. Miami-based art curator Dr. Milagros Bello has just returned from the Biennial.
She says she sees a “big change” in Cuba artistically — and economically. Bello noticed the way Cuban artists are bypassing government-run art galleries and selling their work on their own, something she calls a “new phenomenon.” “Artists are opening up their own studios that really function as galleries not regulated by the government,” say Bello.
She describes sales between the artists and collectors as good-faith transactions where the buyer wires the money to an international account, usually Canadian. The seller ships the artwork out and can retrieve the funds via ATM.
Kind of sounds like free enterprise, doesn’t it? Since the purchase of Cuban art has been (since 1989) one of the exceptions to the U.S.-Cuba trade embargo enacted in 1961, American art collectors have been able to bring artwork from the island with a minimum of drama.
Bello says the U.S.-Cuba detente — and Cuba’s removal from the United States list of state sponsors of terrorism — will result in an influx of enthusiastic art lovers to the island. “There is a change in the image of Cuba internationally,” she says.